SXSWORLD

2015 February SXSWorld

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S X S W. C O M | F E B R U A R Y 2 0 1 5 | S X S W o r l d 1 7 Absynthe Minded (Ghent BELGIUM) The Adamski Kid (London UK-ENGLAND) Aer (Waylan MA) Agent Ribbons (Austin CA) Agonizer (Havana CUBA) Agrupacion Cariño (Mexico City MEXICO) Ain't No Love (Montrreal CANADA) The Airborne Toxic Event (Los Angeles CA) akaFrank (Pinole CA) Ana Alcaide (Toledo SPAIN) Alien Ant Farm (Riverside CA) Aliment (Girona SPAIN) Allo Darlin' (London UK-ENGLAND) Aloe Blacc (Los Angeles CA) Alpha Rev (Austin TX) Alpine (Melbourne AUSTRALIA) American Sharks (Austin TX) Amtrac (Louisville KY) Ancestor (Havana CUBA) Angel Haze (Detroit MI) Syd Arthur (Canterbury UK-ENGLAND) Audacity (Fullerton CA) Imam Baildi (Athens GREECE) The Balconies (Toronto CANADA) Rosco Bandana (Gulfport MS) Bareto (Lima PERU) Bearhug (Chifley AUSTRALIA) Bestial Mouths (Los Angeles CA) Betunizer (Valencia SPAIN) Big Black Delta (Los Angeles CA) Big Sid (San Angelo TX) Billionaire B (Los Angeles CA) Scott H. 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Available on iPhone, Android, SoundCloud, and TuneIn. back, and with that money we can put out another tape." By 2009, the label spawned a fine record shop, while a series of all-ages rock shows accelerated a kind of community-building. A spate of punk festivals (L.A.'s frequently sold-out Burgerama), package tours, in-store parties, a YouTube channel (BRGRTV), international showcases, and even a coffee-table book have followed suit. Meanwhile, perhaps more significantly, Burger has dedicated itself to delivering hard-to-find or long-unavail- able music back into print. Take, for instance, an exemplary two-LP set on NIRVANA, the unjustly obscure late-'60s British psych- sters. The set, called Cult: The Young Persons Guide To NIRVANA, includes music never-before-released in the U.S. In the case of the recently deceased L.A. legend/ raconteur Kim Fowley's Let's Get Blasted, says Bohrman, "We sorted through eight albums of fuckin' crazy shit," editing secret recordings down to a manageable set. "We saw him (Fowley) at SXSW years ago," remembers Bohrman. "He knew us from Makeout Party. We yelled at him. And we picked him up, drove around in a circle, and played him our song. He was like 'thanks for driving me in a circle and dropping me off at the same place you picked me up!' " But Burger hits a particular nerve in preserving SoCal's rich punk heritage. "All the Frontier [Records] stuff does really well," says Rickard, "when we reissue all their punk stuff: Adolescents, Middle Class, Christian Death, Circle Jerks, Suicidal Tendencies ... the Dangerhouse (label) stuff, too." If there is an overarching method to Burger's madness, one might characterize it as DIY with a mission. With their scruffy intensity, make-things-happen attitude, and wide-open sense of possibility, they have attracted the attention (and contributions) of respected artists from Dave Grohl to Thurston Moore to Ryan Adams to Beck. "Like with the Weezer cassettes we just did [Everything Will Be Alright in the End]," relates Rickard. "They called us out of the blue one day. I hung up the phone, and said, 'Hey everybody, we're gonna do Weezer.' Every day there's new stuff. You never know who's gonna call." Th e B u r g e rm a ni a O f f ici a l SX S W M u s ic S h owca s e w il l b e h eld a t H otel Ve g a s o n S a tu r d ay , M a rch 2 1 . S e e s ch e d ule. s x s w.co m fo r m o re d e ta il s a s t h ey a re a n n ou n ce d . E ve ry t hi n g s u b je c t to ch a n g e. Ricka r d ca tch es s o m e a i r A B B Y B A N K S

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