SXSWORLD

SXSWorld February 2020

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SXSW.COM | F E B R U A R Y 2 0 2 0 | SXS W O R L D 3 3 In countries with such official support, there are still unspoken guidelines to observe. Lido Pimienta, a Colombian- born multimedia artist of mixed Afro-Colombian and Wayuu descent (and a SXSW 2020 performer), is based in Toronto. Her Polaris Prize- winning 2016 album, La Papessa, was made with a $6,000 grant from the Ontario Arts Council — but a general arts grant, not one targeted to Indigenous artists. "Canada has general public grants and grants specifically for Indigenous people. We don't apply for Indigenous funding unless it specifies benefits for art- ists indigenous to South America or Canada." Pimienta says. Back in Australia, Alice Skye recently picked up a $3,000 state grant from Creative Victoria to help fund her travel to play the 2020 Folk Alliance International Conference in New Orleans. Skye's manager, Logan, says they'll keep applying for grants and support as Skye's career progresses. "Funding in Australia is extremely strong for Indigenous artists and has increased enormously in the past 15 years," Logan says. "There's been recognition by the government and arts community of the importance of Indigenous voices in the arts. The Canadian government has also been incredibly supportive of its Indigenous artists with grants, and it's of great benefit to the community. As we know, the arts are a great leveler and certainly help create greater under- standing and acceptance and love." For more information on SXSW 2020 Conference sessions and Music Festival showcases, see schedule.sxsw.com. Alice Skye. Photo by Michelle Grace Hunder Alice Skye. Photo by Michelle Grace Hunder "Indigenous music is not a genre …"

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