SXSWORLD

SXSW.COM | F E B R U A R Y 2 0 1 9 | SXS W O R L D 3 3 my passion for music and community, and elevating art," the 27-year-old says of the founding of She Shreds. The maga- zine, which will hold its official SXSW showcase in March, found success alongside the recent rising tide against sexism and in empow- ering movements such as #MeToo, but Reyna discovered an important statistic among its readers. "Almost half of our readership are men," she says proudly. "That is very telling to this whole equality conver- sation. I can pretty safely say, and I am going to dedicate some time to doing the research, but I feel we are the only guitar magazine that can proclaim a 50-50 percent readership of men and women." Reyna recalls that alongside sup- portive artists like Lauren Mayberry, Brittany Howard and Esperanza Spalding, nods from the likes of James Bay, who sported a She Shreds t-shirt on stage, prove that it isn't only women who are tired of musical patriarchy. But gender is only a part of a wider marginalization issues Reyna wants to address. "It's easy to have the conversation be black and white: women and men. But when we talk about women, we are talking about entire underrepresented commu- nities. When I fight for women, I am really fighting for non-binary, for LGBTQ+, for women of color. I don't think it's just men who need to get on board, there are a lot of women who need to get on board too," she points out. Launching the magazine meant putting her own music on hold for four years. She is now happily back playing shows and in late December (during her one week off in the year, she says), her band Savila had just finished a tour during which Reyna says that she once again encoun- tered prejudiced techs and venue staff, along with the small sexist gestures that obstruct women's daily lives. "I just did this big tour with Bomba Estereo playing in front of 2,000 to 3,000 people a night in the nicest venues," she recounts. "And still people were treating me like I didn't know what I was talking about … They wouldn't look me in the eye and say, 'Hi.' They would try to talk to my male bandmates. Here I am with a decade of experience performing! Luckily we did run into two women techs who were different. "It opened up my eyes, though, because I had thought we are pro- gressing and doing better. But after this tour, I don't know that much has changed." As for the experiences in the 1970s for top female guitarists like Nancy Wilson of Heart, let alone for Sister Rosetta Tharpe in the 1930s and '40s? "I can't imagine what that must have been like," says Reyna. "Not just because of the lack of respect and recognition, but also knowing what they had to go through to be accepted and be able to play the guitar. It must have taken so much ... all that fighting to express yourself as a woman." Reyna is dubious that these lasting issues will be completely resolved anytime soon, but sees She Shreds as part of a movement that has worked for decades to break down gender and other barriers for musicians. "I very much credit the people before us: like Riot Grrrl," she says of the 1990s feminist music and cultural movement. "It's been building and building and building. We're always looking at what is the next step of this dialogue." The She Shreds showcase will be held on two stages at Cheer Up Charlies (900 Red River St.) on March 14. Visit schedule.sxsw.com for more 2019 SXSW Music Festival information. "I feel we are the only guitar magazine that can proclaim a 50-50 percent readership of men and women."

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