SXSWORLD

SXSW.COM | F E B R U A R Y 2 0 1 9 | SXS W O R L D 1 5 Last year Lauren Mayberry tweeted, "I wouldn't be in a band if it weren't for Shirley Manson." How does that make you feel? It's one of the greatest privileges of my life. There's not many of us, women who have managed to have careers for as long as I have, and so I'm always grateful. I can't believe my luck that I'm still here. That I still get to make records, that I still get to be on festival bills with all these incred- ible young talents who have been influenced by something we wrote or played or performed. It's joyous. In SXSWorld last fall, Mayberry said that 20 years ago, you were saying stuff that people are still having arguments about now. I guess you could say that I was talking about certain topics that people didn't feel were as urgent as they seem now. I was very outspoken about how the female-identifying narrative was constantly being erased in music. When was the last time that you were treated like "the girl" by someone in the music business? I'm always treated like the girl … in ways that men, I don't think, can really understand or see or appre- ciate. For a long time it used to bother me and upset me. Now, I go quietly cold. But my perspective now is not one that includes myself, necessarily. My desire for equality for all people is focused now on the generations behind me. Only in the last few years has there been any kind of serious dialogue in our culture about the lack of parity between the sexes in a modern context. The thing about the #MeToo move- ment is that it forced men to at least listen to a certain degree. I don't feel that men necessarily are seeing it, but they certainly have been confronted for once, which is in itself a miracle. And women who identify as feminists also understand that we have to start speaking up about the lack of parity between white feminists and femi- nists of color. Last year the Pitchfork Music Festival hit that Keychange 50-50 mark, but I talked to another festival promoter who said, "No, we don't consider that at all. We just book what's on tour and what's popular." My advice to anyone would be that if you don't see yourself reflected in the bill, don't give them your money. It's that simple. Fuck that. Especially in America, money talks. So take your money away from them, and you might finally see some change. Garbage used to play big festivals, especially in the U.K., but they aren't as big a part of your tours in recent years. Well, talking of marginalized: I'm a woman over 50 years old. So to secure a place in a festival is com- plicated at best. There are very few opportunities for women who are not of the fuckable age, which I would hazard is between 18 and fucking, I don't know … 30? Women suffer from this sickness of spirit in our culture, where they start to believe that they have no sexual cur- rency and agency past some year that is decreed by the populace. They really start to extinguish their own flame, and when that happens, you can't pos- sibly continue in a career in the arts. But if you're not basing your value and your worth on how popular you are, then you can continue to do good work regardless of what people are saying about you in the press … Talking about your wrinkles. Or how you used to be really hot, but you're not anymore … To shoulder that requires an unbeliev- able amount of fortitude, but I think that's something we, as a band, have managed to do. I think we're very lucky. Shirley Manson and Lauren Mayberry will take part in a Music Keynote Conversation at SXSW 2019. Stay tuned to schedule.sxsw.com for further details. "Only in the last few years has there been any kind of serious dialogue in our culture about the lack of parity between the sexes in a modern context."

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